Chamber music as a mode of thought: principles of relational intelligence in contemporary musical creation
Abstract
This article posits that chamber music transcends the boundaries of a conventional musical genre to function as a philosophical mode of thought and a «high-precision human system». By examining the theoretical foundations of relational intelligence and translating these into ten coordinates of compositional practice, it argues that the principles of decentralization, hyper-reactive agency, and shared intentionality provide a model for organizing complex contemporary artistic productions.
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